Make Accessories Easily Accessible – A Review of MindShift Filter Hive

As a landscape photographer who often hikes a long distance and photograph in harsh environment, I always found difficult to figure out the perfect system to carry my camera gear, and to make the gear easily accessible at the same time.  I usually carry 2 camera bodies, 2-3 lens, flash and all sorts of accessories in the field.  Backpack is the only sensible way to carry all these gears.  But the problem with backpack is the lack of accessibility.  I have to constantly put the backpack down to take things out and put them back in.  A belt system would have the advantage of easy accessibility, but carrying my heavy camera bodies and lens on the belt for a long hike has never appeared to be feasible to me.

A couple of years ago, I derived a method to use a combination of belt and backpack system. I carry most of my accessories on the belt, in front of my body.  This includes round ND filters and polarizers, rectangular GND filters and holder, flash, remote, and GPS etc.  I chose a ThinkTank Thin Skin Belt so that it is not so thick at back where backpack rests.  It has been working out fairly well.  When I arrive at a scene, I only need to open the backpack to get the camera, and put away when I am done.  I don’t have to open the backpack again when I am shooting.  All filters I need are easily accessible in front of me.  This is particularly helpful when I am standing in the water or mud where I have no place to put down the backpack.

I bought a Lowepro Filter Pouch 100 to carry rectangular GND filters and holder, and a Tamron M.A.S. Filter Belt Pack to carry round filters.  While they are functional, I realized a big problem while using them in the field.  These cases are not really designed to carry outside of a camera bag.  The lids do not have zippers.  When I photograph in the desert environment, wind-blown sand and dust can easily find their way into the cases and stick onto the filters.  Additionally, Lowepro Filter Pouch 100 is too big for 4×6” filters, there is a lot of wasted space in it.  I was searching for another filter case and found MindShift Filter Hive.

MindShift Filter Hive with ThinkTank Think Skin Belt

The Filter Hive is the first case designed to carry both round and rectangular filters together.  It is made of tough and light weight material.  It holds up to six 4×6” rectangular GND filters and a holder as well as six round filters up to 82mm diameter.  All my filters now fit into a single case without the need to carry two separate cases.  It saves some space around my belt to carry another pouch for other small items such as batteries and flash light.  The lid is zipped tight to protect filters from elements.  There is a small zipped pocket at front.  This is where I keep my camera remote, etc.  An added benefit of Filter Hive is that the padded insert is completely removable.  If I don’t want to carry Filter Hive on the belt, I can take out the inset (with filters in it) and pack it in my backpack.  The case is sensibly sized, there is no wasted space inside.

I am a big fan of ThinkTank products.  They are usually very well made.  MindShift follows the tradition and makes some innovative products.  MindShift Rotation 180 Professional and Panorama backpacks are two of the most interesting backpacks on the market.  Unfortunately, MindShift Rotation 180 Professional is about 2 lb heavier than competition.  For a landscape photographer who hikes a long distant to make a shot, 2 extra lb is a deal breaker.  MindShift Rotation 180 Panorama is much lighter, but it not roomy enough to fit my needs.  I hope they will trim some weight off MindShift Rotation 180 Professional and come up with a lighter version, just like F-stop did to their popular F-Stop Loka backpack.

Photographing Ding Darling

Florida is not just popular for “snow birds”, it is popular for all kinds of birds.  One of the hottest attractions for bird photographers is J.N. “Ding” Darling National Wildlife Refuge on Sanibel Island near Ft. Meyers.  The refuge is part of the United States Wildlife Refuge System. It is famous for its migratory bird population.  Most photographers will find plenty to shot along the four miles of Wildlife Drive that takes you through mangrove tree forests and tidal flats.  What makes a photographer’s life even more interesting is that Sanibel Island is a tourist attraction by itself, with nice beaches and good restaurants, although most choose to go straight to the beaches.  It is a relaxing place to be while I don’t take pictures, and certainly makes it easy to convince my family to come along.

The hours of operation is my principle complaint.  The refuge opens at 7 a.m. and closes at sunset.  It also closes every Friday.  I anxiously waited outside of the gate every morning, watched the sun rising behind me, missed the best light of day, and the best bird action of the morning when most of birds take off together from the tidal flats they spent the night at.  Well, U.S. government is not known to be photographer friendly.

Nevertheless, Ding Darling is a bird photographer’s paradise.  What is remaining after 7:00am is still enough to give any wildlife photographer a real treat.  There are plenty wake up calls after 7:00am.

Wake up Call

And plenty of action even the light is not the best.

Just Caught a Crab

The most intriguing bird at Ding Darling is probably the Spoonbill.  God must have thought the feathers are too pretty.  He gave her an ugly head to be fair to the entire bird species.  Nevertheless, I love her just for her feather.

Pink Panther

Bald Eagles on Mississippi

The bald eagle is American national bird because of its association with authority and statehood.  Its majestic beauty and great strength attract thousands of bird watchers and photographers to the Mississippi River bank, where bald eagles feed on the fishes near the dams during winter months.

I always come to Loc & Dam 14 on Mississippi each winter.  Like anything else in nature, it has been hit or miss.  Sometimes, I can only see a couple of eagles flying far and away for a whole afternoon.  Two weeks ago, I hit the jackpot.   It had been a harsh week that temperature stayed in single digit for the entire week.  A heavy snow covered field that eagles had nowhere else to find food supply but to come to the unfrozen open water under the dam.  The light was great and the action was none stop from the time we arrived around 11:00am to sunset.

Here Comes the Fish

I have photographed bald eagles catching fish over Mississippi hundreds of times.  But at the moment it races down to the water surface to grab the fish, it has never failed to electrify my brain and keep my heart singing.  This is the moment that is worth photographing for a lifetime as it my heart praises the creator of this magnificent creature.

Good Catch

Crabapple in the Snow

Crabapple is one of the most common trees in Midwest.  But in the world of long and hash winter, crabapple is like a spice on an otherwise tasteless dish.  It had been snowing for a couple of days in Midwest.  I finally can’t take it anymore.  So I decided to go out to Morton Arboretum to photograph some crabapple trees to brighten up my day.  Just when I was photographing this tree, strong wind blew the snow up in the air, helped me to filter out distracting elements at distance.

Crabapple in the Wind

After hundreds of crabapple pictures on my hard drive, I decided to try a new angle.  So I put my tripod on a higher ground over a smaller tree.  The flip screen of my Sony A99 comes handy when I compose the picture from underneath.  At this angle, the background is finally pure.

Fire in the Snow

Angel’s Hair

What made me going back to Zion National Park again and again was not its towering cliffs, it was the Virgin River that cuts through the valley kept my imagination flowing.  I could walk along the river bank the entire day to search for the inspiration and never got bored.  The texture of water and color of reflection change every second.  I often spent half an hour just to stare at the water in front of me.

This morning, the color was so intense that the river was painted in red.  I suddenly dreamed the hair of a beautiful woman floating in front of me.  So I put on my telephoto lens and started to experiment with different shutter speed.  The water looked too milky with long shutter speed, and too static with short shutter speed.  I finally settled at 1/4 second, where the texture of water started to look like hairs.

Back at home, this was the first time I used Tony Kuyper’s Luminosity Mask Actions to recover details in highlight region.   It certainly made my life easy in post processing to enhance the smooth texture in the water.

Angel’s Hair

Storm Chaser

Storm Chaser

When I arrived at the Great Sand Dunes National Park, a thunder storm was approaching fast. I decided not to climb up the great sand dune, but shot from foot of the dune instead to avoid the lighting and heavy rain.  Just when I was trying to find my composition, two brave young men went right pass me and climbed all the way to the top.

The rain was pouring and lighting was none stop.  As I put away my equipment, I couldn’t stop turning my head to watch these two brave souls.  What was the view on the other side of dune?  It was only reserved for the challengers.

Flying under Stars

Flying under Stars

It was so windy at South Coyote Buttes that I could not sleep well the first night we camped out there.  So I got up at 2:00am and crawled out of the tent.  The night in the desert is always colder than what you are prepared for.  I put on all the cloths I can find, still couldn’t stop the constant shivering.  But the cold air will not stop a diehard landscape photographer.  I headed out anyway.  After half an hour of hiking, my body and spirit were finally warmed up to the task ahead of me.

I knew exactly where to go and what to shot in the dark because I did my homework during the day.  I set my tripod down, took a couple of test shots with high iso and quickly determined my composition.  I wanted to include all the foreground elements as well as the clouds and stars.  So I decided to take two shots and stitch them later.  I did not want to see the start trails in picture, so a 30 second exposure is the maximum I can use.   I tilted camera up slightly and took the exposure for the sky.  The second exposure was for the foreground.  I tilted camera downward slightly to include the foreground elements.  For the foreground shot, I was not limited by exposure time.  So I reduced iso to reduce noise and reduced aperture to gain depth of field.